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The National Gallery at 200: An Artist’s Gallery
The Art Newspaper, July/August 2024

Megan Rooney’s Blue Fortnight
Plaster, June 2024


At Guts Gallery, Artists Navigate ‘The Future of Loneliness’ (with Jess Cotton)
Ocula, June 2024

‘God Save the Team’: On Corbin Shaw’s Saint George’s Flags
The Art Newspaper, June 2024

Remembering Frank Stella
The Art Newspaper, June 2024


Remembering Richard Serra
The Art Newspaper, June 2024

Here be Dragons: work, wealth and art on the French Riviera
Plaster, June 2024
The Ardwick Realists
Plaster, June 2024

Remembering Faith Finggold
The Art Newspaper, May 2024

Eduardo Chillida at Hauser & Wirth Menorca
The Art Newspaper, May 2024

Rita Ackermann: “Painting as conflict”
Plaster, May 2024
Interview with Chantal Joffe
Plus, April 2024
Adam Pendleton: “Abstraction is a big question”
Plaster, March 2024
Yoko Ono’s Powerful Protest Art Has Taken Over the Tate. How Does It Meet With Our Present Moment?
ArtNet, February 2024

Ivory Towers
The Times Literary Supplement, January 2024

Sabine Moritz: “Everybody has an August, everybody has a midnight”
Plaster, December 2023

The Irreplacable Human at the Louisiana Museum of Modern Art, Denmark
Plaster, December 2023
The Big Review: Philip Guston at the Tate Modern
The Art Newspaper, November 2023

Anthony Cudahy’s lessons in perseverence and saintly patience
Plaster, October 2023
Richard Prince’s hall of smoke and mirrors at Gagosian London
Plaster, October 2023
One Plus One
The New Left Review Sidecar, May 2023
The Big Review: Peter Doig at the Courtauld Gallery in London
The Art Newspaper, April 2023
Introducing Martin Wong
Royal Academy Magazine, Summer 2023

Unliveable Lives 
The Times Literary Supplement, January 2023


Interview with Richard Prince, Lousiana Museum of Modern Art, Denmark
The Art Newspaper, January 2023


Remembering Peter Schjeldahl
The Art Newspaper, January 2023

 The Big Review: Alice Neel at the Centre Pompidou
The Art Newspaper, October 2022

Barbara Ehrenreich was an Unabashed Socialist (with Jess Cotton)
Jacobin, September 2022


Universal Energy Source

The Times Literary Supplement, September 2022


The Big Review: the Summer Exhibition 2022 at the Royal Academy of Arts in London
The Art Newspaper, July 2022


Freedom and Constraint at the Whitney Biennial
Burlington Contemporary, June 2022


Diane di Prima’s Revolutionary Letters Implore Us to Ask for More
Jacobin, June 2022

 The Big Review: Postwar Modern—New Art in Britain 1945-1965 at Barbican Gallery
The Art Newspaper, April 2022
There’s rhythm in the whiteness: on Walter Price

Burlington Contemporary, August 2021


Jennifer Packer’s paintings pack a punch at the Serpentine

Apollo, January 2021


Interview with Peter Gizzi

The White Review, August 2020


Sigmar Polke’s Unrealized Utopia at Michael Werner Gallery

Frieze, March 2020


Rhapsodic and Peculiar: 30 Years of Cy Twombly’s Sculptures at Gagosian

Frieze, November 2019


‘You Have to Be There’: The Power and Presence of Robert Motherwell’s Large-Scale Paintings

Frieze, April 2019


New ways of seeing Andy Warhol

Apollo, December 2018


How Monet’s water lillies took root across the pond
Apollo, July 2018


Remembering Irving Sandler, the ‘sweeper-up after artists’
Apollo, June 2018


How Jane Freilicher found beauty in the everyday
Apollo, May 2018


The making of modern America
Apollo, April 2018


The art of advertising
Apollo, January 2018


The battle for Picasso’s mind
Apollo, January 2018


Remembering Irving Sandler, the ‘sweeper-up after artists’
Apollo, June 2018


The rich repetitions of Jasper Johns
Apollo, November 2017


John Ashbery: poet and artist
Apollo, September 2017